My name is Terry and this is my blog.

I am currently living in Los Angeles.

I like films, music, and don't even get me started on long walks on the beach.

I don't read a lot of books, but am always fishing for book recommendations.

My parents are Vietnamese and I was born in America.

That's all you really need to know upfront.

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Wednesday, April 25th

Nothing Comes Close and Nothing Can Compare - Jarvis Cocker Live in New York City

music: jarvo
mood: pulpitations



On Monday, I had the rare opportunity of seeing one of my musical idols perform: Jarvis Cocker, frmr lead frontman of the 90's Britpop band Pulp. While most of my obsession with Jarvis stems from my adulation of his tenure in Pulp, I was still taken aback when he got on stage and launched into "Fat Children." He continued to stun the audience through the rest of his set which included most of the tracks off his solo debut and one cover - Bruce Springsteen's "State Trooper."

Highlights of the show (for me) included "Don't Let Him Waste Your Time," "Still Running the World," "Big Julie," and "Black Magic." Jarvis did not play "Black Magic" during Sunday night's show, which is their loss as the performance of the song embodied and confirmed all my notions of Jarvis as a pop star - passionate, charismatic, dorky dance moves. He even kinda spazzed out at the end of it.

The Sunday crowd did get a cover of Black Sabbath's "Paranoid" and The Talking Heads' "Heaven," so that was kinda a bummer (depending on your tastes).

As always, his between song banter was priceless. The only dissapointment was the decision to not include any Pulp songs in the set. Former Pulp bass player Steve Mackey is a part of the touring band, which was kinda cool. He got the loudest response when Jarvis introduced the band.

Here are some more pictures taken with my new digital camera. Not too shabby, I was a stone's throw away from him on the floor level.

Massive props to my friend Megan for scoring the ticks and the invite.

For more better reviews of the show go here, here (Sunday) and here (Monday).













Ack. Note to self: Mind the headroom next time.

Bonus - one of my favorite videos of all time. Only recently was I able to associate the song with someone in my life.



terry on 04.25.07 @ 08:00 PM PDT [link]


Tuesday, April 24th

Top of the World, Ma


Just got back into town after spending a few days in NYC walking around, hanging out with friends, seeing my musical idols live in concert and some minimal shopping. BTW, the weather was AMAZING!

To prove it, here's a pic of yours truly sitting beside the Paramount Building clock on the 31st floor, Times Square. Picture by Liam Harrison.




More tomorrow, I need to unpack and get some sleep.

terry on 04.24.07 @ 06:12 PM PDT [link]


Monday, April 16th

Chillin' kidz, chillin'


Much to report, but very little time. Getting stressed about life and shit, but at least my taxes are done.

Sad day all around with the Virginia Tech shootings and the passing of Don Ho.

On a lighter note, I found this picture on the internets this weekend and it made me smile. If you don't know who these boys are, you will soon enough. But if you never do, then shame on you, there really is no hope for us is there.





terry on 04.16.07 @ 08:09 PM PDT [link]


Wednesday, April 11th

A Badly Virgin Sigh

music: Never Stop Living Here
mood: oooh aah oooh aah

As an apology for the lack of posts these last few days, here's a song that I've been listening to on repeat - a live version of Badly Drawn Boy's "Silent Sigh" with "Like A Virgin" as an intro. Trust me, it all makes sense at the moment that "When your heart beats next to mine" melds perfectly with the opening piano chords of "Silent Sigh." My favorite song just got better, like a million times over.

Badly Drawn Boy - Like a Virgin/Silent Sigh

This song always brings back a flood of great memories - seeing the video for the song on NME.com and being blown away by it, watching "About a Boy" in the theater with a summer crush, watching it again on DVD with an ex, and seeing BDB twice at the 930 Club in DC with an old friend and said ex.

For good measure I watched "About a Boy" again last night and the the song still gives me goosebumps, despite the overbearing melodrama on screen. The song is edited into a short transition point in the film but it still gets the point across clearly (if I remember correctly, half of the lyrics are cut out). Mind you, the song was written specifically for the film, but luckily it really does stand on it own as a mid-tempo pop masterpiece (how's that for hyperbole, NME!). If the song was slower, it would have been a contender for my wedding song. (Currently it's a tie between Emmylou Harris's cover of Neil Young's "Wrecking Ball" and "All I Need" by Method Man)

Back to BDB - after the About a Boy Soundtrack, I never felt that Damon Gough was able to come anywhere near the brilliance of those songs (and those songs on his Hour of the Bewilderbeast album), which is unfortunate because he's still writing songs and putting out albums.

Thanks to "I Am Fuel, You Are Friends" for posting the live set of BDB's San Francisco show. She's got all the other tracks over there, so head over and check it out.

terry on 04.11.07 @ 07:27 PM PDT [link]

RANDOM THOUGHT FOR TODAY


Here's something for everyone to ponder -

What's worse - hippie parents or hipster parents?

This question kept me up for a bit last night. Ultimately one has to wonder how much influence the Grateful Dead and the Arcade Fire had/have in parental behaviors.

I need to leave the house more.

terry on 04.11.07 @ 12:18 PM PDT [link]


Thursday, April 5th

Too Anxiety-Ridden to Write Today


I could talk about a lot of things today - the secret Jesus and Mary Chain concert I'm going to in a few weeks, my upcoming trip to NYC (4/19- 4/23- ladies, be prepared), the awesomeness of The Wire, my Jenny Lewis dream last nite, Playstation Ads, the relevance of Sanjaya, etc, etc.

But a new episode of The Office airs tonight after a six-week hiatus and the fate of Jim Halpert has engulfed my mind.

I have a 1/2 day tomorrow, so maybe I will write then.

For now, let us all pray for the safety of Jim Halpert. May he be protected by the nunchaku skills of Dwight.

Peace.



terry on 04.05.07 @ 07:05 PM PDT [link]


Wednesday, April 4th

Rock Paper Scissor Championship in Los Angeles


The only reason I am posting the following video is because the 4 Ithaca College film school alums who read this blog may recognize some of their classmates in the clip. Caine, the defending RPS champion was class of 2000 and Wu Ca$h was class of 2001. There's also another guy who is featured as an audience member who was also class of 2001. Good to see that the IC Parkies are making good use of their education. Anyway, for the rest of you who did not go to Ithaca College, you'll only find it enjoyable if you like watching a bunch of interestingly-dressed young folks throw down schoolyard-style at The Echo.

And no, the guy in the Super Mario hat is NOT The Cobrasnake.


terry on 04.04.07 @ 08:22 PM PDT [link]

Watch This Show - HUMAN GIANT

music: The Latest Toughs - Okkervil River

MTV's new sketch comedy show The Human Giant premieres tomorrow, Thursday at 10:30 pm. If that's past your bedtime, you're in luck as iTunes is giving the first epsiode away for free. Yes, free. 20 minutes of pure comedy gold with cameos by my personal favorites Ghostface Killah and Linda Cardellini (rrrrrr). The Human Giant is Aziz Ansari, Paul Scheer, Rob Huebel and Jason Woliner (director).

The Human Giant was in LA a few months ago performing weekly shows at the Upright Citizens Brigade Theater and I happened to catch 2 of them. They mostly showed rough cuts, had a few standup comedians and did some "inbetween song banter" but it was still very enjoyable. These guys are fucking funny, better than The State back in the day (tho I blame MTV for messing that up) and better than 70% of what you see on SNL. Let's hope MTV doesn't fuck it up for them.

Here are some links for your enjoyment:

Aziz Ansari- http://azizisbored.com/

The Human Giant Myspace - http://www.myspace.com/humangiant

If one episode is not enough for you, you can find a ton of clips on Youtube that they've done back in the day. I highly suggest you check out their more music-oriented shorts - Clell Tickle (1st clip) and a Standup Routine where he disses Kanye West (2nd clip). There used to be short on Youtube called Indie Store Music Clerks, but it looks like it got taken down. Barring Patton Oswalt, Aziz Ansari may be the best young stand-up comic out there right now, but he also works well in the sketch comedy arena. It's great to see Aziz addressing the things I'm familiar with, things like Pitchfork, blogging, and Ted Leo. Just don't call him the Indian hipster comic, please.






terry on 04.04.07 @ 08:13 PM PDT [link]


Tuesday, April 3rd

It's Like Watching Newlyweds


. . . . except with a talented songrwiter, a better looking blonde and heroin.

Pete Doherty singing a new song "KP Nuts" with Kate Moss on backing vocals (for lack of a better expression). Not as good as that White Stripes video with Kate Moss on the pole (God Bless You, Sofia Coppola), but entertaining enough for fans of Pete Doherty.(via bwe.tv)



terry on 04.03.07 @ 08:53 PM PDT [link]

They Were Bound to Quote "Atmosphere"

music: "Don't Walk Away . . In Silence"

A quick google search reveals that Joy Division has never used the word "shoe(s)" in any of their lyrics.

So this makes absolutely no sense at all.

I can only imagine that hipsters will be buying these kicks out of irony. I will buy them in hopes that they are comfortable and affordable. I pray they make a slip-on pair, because it's all I ever wear now and what kind of emo kid wants to bend over every 5 minutes in skinny jeans to tie his shoes.

Ian Curtis is turning over in his grave while Peter Saville is laughing all the way to the bank. See you outside of Undefeated! (via idolator)



terry on 04.03.07 @ 08:34 PM PDT [link]

Let's Stop Making Fun of Emo . . .


. . . because usually when something becomes soo easy to do, the quality is bound to suffer.

Case in point (via gorillamask):



terry on 04.03.07 @ 08:14 PM PDT [link]


Monday, April 2nd

Journey From the Fall - Ham's Beef with The Village Voice


I saw the following letter from director Ham Tran responding to a review of Journey From the Fall earlier today over at Angry Asian Man. Comments from me to follow -
---------------------
Hi everyone,

I would like to ask for your help to respond to the movie review written by Scott Foundas at the Village Voice, and syndicated by the OC Weekly. The following is his movie review:

JOURNEY FROM THE FALL
The fall of the title is that of South Vietnam and the journey is the long and arduous trek to America undertaken by one persecuted family--the wife, mother, and son of an unrepentant counter-revolutionary--while their absent patriarch rots in a Communist "re-education" camp. Beautifully made and sincere to a fault, Journey From the Fall comes touted by its writer-director, Ham Tran, as the Vietnamese equivalent of Schindler's List; in reality, the film carries stronger echoes of The Joy Luck Club, as it juxtaposes grueling torture and heroic escape against the sometimes equally Sisyphean struggles of settling into a new life in a new country. Such intentions can't be faulted, and Tran's film is laudable as one of the few movies to depict Vietnam and its aftermath through the eyes of the Vietnamese. But at a moment when directors as varied as Clint Eastwood, Paul Verhoeven, and Ken Loach are discovering innovative and meaningful ways of dramatizing the great man-made atrocities of the 20th century, Tran's reliance on declamatory political dialogue and movie-of-the-week inspirationalism feels decidedly old-fashioned and, finally, even phony. (Scott Foundas)"


It's not that I mind getting a bad movie review, but to call this film "phony" is exactly the kind of ignorant mentality that we have had to struggle against in the last 30 years. It is the kind of language that has excluded our community's terrible ordeals from historical consciousness. This reviewer needs to know that what the speech in the re-education camp that the communist official lectures to the prisoners is not what he calls "declamatory political dialogue," but they are the actual words lectured by the communists to the re-education camp prisoners. Chu Son, who is the person who plays the communist lecturer, recited that entire speech by heart because it was what the communist forced him to memorize. This speech is by far not "scripted"; these are the words that he was forced to listen to every night for 3 years, until they are forever burned into his memory.

I need your help to reply directly to the publishers for OC Weekly and the Village Voice. The link below is the review and you can click on "Contact Us about this article" to respond: http://www.ocweekly.com/film/new-reviews/new-reviews/26919/?page=2

Please lend your voice to speak out against such ignorance that has kept our story silent for so many years. We need to demand a public apology from these publishers. We need to this critic know that this film is not just a dreamt up story, but that this film depicts the actual experiences of millions of Vietnamese refugees. His comment on the film is an insult the true hardships that our people have had to endure, and it must not be taken lightly.

Thank you very much, and please continue to get your family and friends to come out and support this film.

Take care,
Ham Tran
---------------------
I am in total agreement with Ham that the call to respond is not revenge for a bad review. Calling the film "phony" is disrespectful, since Scott Foundas knows that this is a Vietnamese film made by a Vietnamese American about an experience that defines a great number of Vietnamese Americans and other Viet Kieus. When Mr. Foundas opts to use "phony" instead of say "hackneyed" or "cheesy" (which I can only speculate was his intention), it does feel like a big slap in the face for someone like Ham and his crew who put a lot of blood sweat and tears into the film. Literal blood, sweat and tears. I was there. I saw it and experienced it myself.

While some will argue that the film does come across as melodramatic (at worst), "phony" is just a poor choice of words that discredits the authenticity of the film and, worse, the experience of those Vietnamese Americans who are represented in the film.

If you have seen the film and disagree with Mr. Foundas's choice of "phony," I kindly ask that you respond to his review.

terry on 04.02.07 @ 07:47 PM PDT [link]